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National Gallery in London Prohibits Liquids Following Activist Attacks on Sunflowers and Other Artworks | UK News

National Gallery Implements Liquid Ban Amidst Activist Attacks on Artworks

In a significant move to safeguard its priceless collection, the National Gallery in London has announced a ban on liquids within its premises, effective immediately. This decision comes in response to a series of high-profile attacks on artworks, including Vincent van Gogh’s iconic Sunflowers, which have raised concerns about the safety of both the art and the visitors.

The Context of the Ban

The National Gallery’s decision to prohibit liquids—except for baby formula, expressed milk, and prescription medicines—stems from a growing trend of activist protests targeting famous artworks. Since July 2022, several incidents have been reported where activists have thrown substances at paintings to draw attention to climate change and other social issues. Notable examples include attacks on John Constable’s The Hay Wain and Velázquez’s Rokeby Venus, alongside the recent incidents involving van Gogh’s Sunflowers.

The gallery’s statement reflects the urgency of the situation: "Unfortunately, we have now reached a point where we have been forced to act to protect our visitors, staff, and collection." This sentiment underscores the delicate balance between allowing public access to art and ensuring its preservation.

Recent Incidents

The National Gallery has faced increasing pressure from activist groups, particularly Just Stop Oil, which has been at the forefront of these protests. In October 2022, two activists were jailed for causing damage to the frame of one of van Gogh’s Sunflowers, estimated to be between £10,000 and £20,000. More recently, two versions of the painting were targeted with soup, although the canvases themselves remained unharmed.

These actions have not only resulted in physical damage to the artworks but have also caused distress among visitors and staff. The gallery noted that such disruptions hinder its mission to make great art accessible to everyone. The recent spate of attacks—two occurring within just two weeks—prompted the gallery to take decisive action.

New Security Measures

In addition to the liquid ban, the National Gallery has implemented enhanced security measures. All entry points will now feature walk-through metal detectors, and staff will inspect bags and rucksacks. Visitors are encouraged to bring minimal items and are advised against carrying large bags, which may slow down entry times.

The gallery’s commitment to visitor safety and the protection of its collection is evident in these measures. The institution aims to create a secure environment where art can be appreciated without the threat of vandalism.

The Impact on Activism and Public Perception

While the gallery’s actions are primarily focused on protecting its artworks, they also highlight the broader implications of activist protests in cultural spaces. The Just Stop Oil movement, which has gained notoriety for its controversial tactics, argues that such actions are necessary to raise awareness about the climate crisis. However, the backlash from institutions like the National Gallery suggests a growing frustration with the methods employed by activists.

Three Just Stop Oil supporters have pleaded not guilty to charges of criminal damage related to the attacks on Sunflowers. This legal battle reflects the ongoing tension between activism and the preservation of cultural heritage. As public sentiment evolves, the effectiveness of such protests in achieving their intended goals remains a topic of debate.

Conclusion

The National Gallery’s decision to ban liquids and enhance security measures marks a pivotal moment in the intersection of art, activism, and public safety. As the gallery strives to protect its collection and provide a safe environment for visitors, it also raises important questions about the role of activism in cultural spaces. The ongoing dialogue surrounding these issues will undoubtedly shape the future of both art preservation and social activism in the years to come.

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